![]() ![]() His attention to detail and the way he manages to get such an important message across from different perspectives is commendable. Both the first and second halves of the film are packed with a moving story and the narrative seems to slow down and speed up at various points, creating a world that convinces the audiences well. Singh has indeed given the film a small-town feel but with a big message. Jaya ends up leaving her husband’s home but will Keshav manage to convince his father? This creates a rift between the two, with Kumar attempting to convince his adamant father (Sudhir Pandey) to build a toilet in their premises. However, on the first night of their marriage, Jaya discovers that the house she’s come to doesn’t have a toilet and that she would have to go with the other women in the village to “do the business” in the fields early in the morning. Keshav (Kumar) and Jaya (Pednekar) fall in love after they meet on a train and have an argument about locking the toilet door. Kumar has been known for some performance-driven cinema lately so what should audiences expect from ‘Toilet: Ek Prem Katha’. ![]() ![]() With Akshay Kumar and Bhumi Pednekar leading the cast, the Shree Narayan Singh directorial was to tell the story of a couple who split due to the husband’s house not having a toilet. Right from the moment the name was announced, ‘Toilet: Ek Prem Katha’ was a film that was going to make headlines. ![]()
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